Should Scott have been able to string together three movies of this nature, he would have established himself as a genuine legend of the genre.
The new adaptations of Frank Herbert’s books are becoming an object of worship that is being rightfully vindicated. This is not to say that David Lynch’s “Dune” is suddenly widely acclaimed; rather, the truth is that, despite the fact that the filmmaker himself despises it and refuses to discuss it in public, the new adaptations of Frank Herbert’s books are becoming an object of worship.
It appears to be more audacious and insane than Villeneuve’s adaptations, which are powerful but fairly conventional. However, the point is that in a possible Earth-2, Ridley Scott was the director of the 1984 film “Dune,” and Lynch was not the director of the film.
As Scott’s footprints crossed those of Dino De Laurentiis, a producer who had purchased the rights to Herbert’s books in 1978, following Alejandro Jodorowsky’s initial and unsuccessful attempt – with whom he hoped to create an adult reaction to ‘Star Wars’ – Scott’s footsteps crossed those of these other individuals.
The screenwriter Rudy Wurlitzer, who had signed classic works such as “Pat Garrett and Billy the Kid” by Sam Peckimpah, provided Ridley Scott with the opportunity to read one of the initial versions of the script, which was written by Herbert himself. Additionally, Mr. Wurlitzer got the opportunity to read a later version of the script.
According to what he stated in an interview that was published in “Total Film,” Scott has never been of the opinion that the novel is unfilmable; on the contrary, he saw it as having a lot of cinematic potential. It was when De Laurentiis informed him about his plans to save money that he encountered the difficulties: “He said, ‘It’s expensive, we’re going to have to do it in Mexico.
‘” With a “What?” response, he responded with “Mexico.” ‘Really?’ I asked myself. He therefore dispatched me to Mexico City. In addition, with all due respect to Mexico, it was a fairly seedy place back in those bad old days. It’s not that I particularly enjoyed it, exactly.
After two shootings that were as demanding as “Alien” and “Blade Runner,” he made the decision to put the project on hold. The filming of “Blade Runner” and the pre-production of “Dune” were both accompanied by three consecutive screenplays that arrived to work; in fact, they overlapped. And he began working on the fantasy movie “Legend,” which starred Tom Cruise and gave us a famous antagonist in the form of the Lord of Darkness, who was portrayed by Tim Curry.
It turns out that there is a bit of overlap between these two subjects, as Ridley Scott was initially attached to helm the 1980s version of Frank Herbert’s renowned science-fiction novel. “Dune,” directed by Denis Villeneuve, and “House of Gucci,” directed by Ridley Scott, are both nominees for the Academy Award this year. The director recently admitted to Total Film magazine that he had the intention of directing “Dune” in the middle of his two other science-fiction blockbusters, “Alien” and “Blade Runner.”
In reference to Herbert’s novel, which was for a long time thought to be impossible to adapt into a picture in a way that would be successful, Scott stated, “It has always been filmable.” During my time as a writer, I had a member of the Wurlitzer family named Rudy Wurlitzer…
Two of the films that he had written were “Two-Lane Blacktop,” which featured James Taylor, and “Billy the Kid,” which featured Bob Dylan and Kris Kristofferson along…Due to the fact that I worked very, very closely with the writer in the beginning, we were able to produce a really strong rendition of “Dune.” It was always my job to make sure that the look of the movie was consistent with what he or she was authoring.
The failure of Scott’s “Dune” might be attributed to the fact that the producer Dino De Laurentiis made the decision to shoot the movie in Mexico, which is not something that the director would have chosen to do. “Dino had gotten me into it, and we said, ‘We did a script, and the script is pretty fucking good,'” Scott recalled. “Dino had given me the opportunity to participate.
” Dino then stated, “It is going to be necessary for us to make it in Mexico because it is so expensive.” “What!” I exclaimed. His words were, “Mexico.” I responded with, “Really?” He therefore dispatched me to Mexico City. I say this with the utmost respect for Mexico City, but back then, things were rather pongy. It wasn’t something I particularly enjoyed.”
“I went to the studio in Mexico City where the floors were earth floors,” Scott continued saying. “The studio was located in Mexico City.” I responded by saying, “No, Dino, I don’t want to make this a difficult situation.” As a result, I decided to withdraw my participation and instead focus on the film “Legend,” which stars Tom Cruise and Tim Curry.
Dino De Laurentiis ultimately decided to hire David Lynch to direct his adaptation of “Dune,” and the director of “Eraserhead” experienced a nightmare as a result of this decision. Lynch’s “Dune” was a failure at the box office and among critics; such was the case that the filmmaker lobbied to have his name removed from the film. This was due to the fact that the studio had reduced his budget during production and did not give him the privilege of making the final cut. This year, Villeneuve’s “Dune” was a much more successful film than it was last year.
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