Successful "single season series" curse

‘Watchmen‘ has come to a successful conclusion with a series of events that end up connecting perfectly with the comic book written by Alan Moore and Dave Gibbons that serves as the show’s inspiration. Despite the fact that this final season does not even come close to posing an open ending, there are already people who are curious about the second round of episodes. We are not going to give you any spoilers, but what we can say is that everything turned out just as it was supposed to. Having said that, there is, of course, no straight response.

‘Variety’ published a lengthy article about the series marking its end (be cautious with the avalanche of disembowelments), an article in which several of the people responsible for the series discussed a hypothetical continuation of the series. Those who are wary include Nicole Kassell, who directed three episodes of the show. “I think it’s going to take time to know what a second season would be,” she says. For her part, Regina King, the main character of the show, has unequivocally stated that there would be a second season. This statement appears to be more of a spontaneous expression of a wish than a deliberate plan.

According to Damon Lindelof, the showrunner, he is the one who elaborates the most on the subject. which states that the series is similar to the original comic in some respects in the following way: “Most comics go on and on.” It was the fact that ‘Watchmen’ did not that made it so remarkable. The reason for this is that we intended for this story to have a conclusion.Although there is a possibility that some people will view the conclusion of the season as a “to be continued,” I do not believe that this will be the case. It is something that could be fascinating to talk about.

One thing that is very evident is that Lindelof does not close any doors: “I do not wish to come across as ungrateful, but I have no interest in continuing the story.” With that being said, the fact that I do not have any notion is the primary and almost sole basis for this conclusion. In the event that I am going to be involved in other Watchmen situations, I ought to be able to provide answers to questions. Alternatively, actor and director Stephen Williams is quoted as saying, “It’s a question so above my grade that I don’t even know where to begin to venture an answer.”

It is possible that there is no other series that is more suitable than ‘Watchmen’ to recover the limited series format as the ideal medium for crafting narratives that have a beginning and an end. In addition to the apparent benefit of not being required to stretch a story beyond what is required, which would result in a loss of interest, these have another advantage. ‘Lost’ is the most apparent example that comes to mind for all of us because, to our great surprise, it had Lindelof as a producer.

An other argument to assert that the format is limited is that a story that is prepared with a particular conclusion from the very beginning may carefully organize its rhythms and how to dosage the material. Even the occasionally inconvenient element, such as the requirement to divide the story into a succession of equal portions, each of which, if at all feasible, contains a concluding cliffhanger, can work in the story’s advantage if it is utilized sensibly. In the case of ‘Watchmen,’ for instance, the chapter ends have always been a straight-up… in spite of the fact that the story has never felt manufactured.

When Lindelof makes reference to Moore’s comic, he does it with great success since there is no more illustrative example of a series that has a beginning and an end that cannot be any other way. His time bomb construction is protected by a mirror narrative, which is full of visual double meanings, vignettes that develop, and images that are at a distance from the beginning that rhyme with others that are at the same distance from the finish. It is via the adaptation of these particulars to the medium of television and the language of audiovisual communication that Lindelof’s series has made them its own.

This is the reason why Zack Snyder’s adaptation, despite being so close to the lyrics, was not able to capture the mesmerizing ticking beat that was full of echoes in the original story. Nevertheless, it is the people at DC themselves who have gone above and beyond by releasing a sequel in comic format that practically integrates the original antiheroes into DC’s superhero continuity. To deny that would be to ignore the genius of Moore’s comic, and yet it is the people at DC who have gone above and beyond. The end product, despite the fact that it contains creative discoveries, is a complete and utter conceptual nonsense: by definition, ‘Watchmen‘ cannot be continued, regardless of how well that future sequel is carried out.

One thing that is quite intriguing is that Lindelof’s ‘Watchmen’ is already a sequel to Moore’s ‘Watchmen,’ and it functions not only as a continuation, but also as an update and discussion of the original suggestions. Therefore, if Lindelof does have the million-dollar idea that he doesn’t promise he’ll have in the interview, we ought to be willing to welcome it with open arms because he has demonstrated what he is capable of doing. Despite the fact that, on paper, many fans hope that everyone stays where he is, and these nine episodes continue to be like the odd isolated gem that HBO has crowned 2019 with.

Yes, it should be helpful for us to reconsider the formats, and we should take into consideration the possibility that when a new series is presented to us, we should refrain from thinking about “first season” and instead think about “single season.” Comics underwent a fundamental transformation when, in the 1980s, the publication of “The Dark Knight Returns” and “Watchmen” championed the concept that the medium could convey stories that were not so dependent on continuity and editorial plans for the entire following year. This was a significant step forward for the comics industry. The miniseries format has been around for quite some time, but it is possible that ‘Watchmen’ will accomplish on television what it did in comics in the past: it will not be the first or the only one, but it will be the most clear proof that we require more things. So.

Successful “single season series” curse

By nr39r

Related Post

The latest Simpsons theory is the family is black.

This Netflix superhero series beat ‘The Boys’

Once the most important room

Leave a Reply Cancel reply

You Missed

The latest Simpsons theory is the family is black.

This Netflix superhero series beat ‘The Boys’

Once the most important room

Non-bestselling Halloween horror reads